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Nono

Luigi Nono
Dates
1924–1990
Era
Post-War (1945–1985)
Recognition
essential
Wikipedia

Where to start with Nono

Essential works to know this composer by — spread across their styles
  1. Chamber
    Contrappunto dialettico alla mente — For two-channel magnetic tape
  2. Vocal
    Il canto sospeso — Cantata for vocal soloists, choir, and orchestra
  3. Keyboard
    ...sofferte onde serene... — For piano and tape
  4. Chamber
    La lontananza nostalgica utopica futura, for violin and 8 magnetic tapes
  5. Chamber
    'Hay que caminar' soñando, for 2 violins
  6. Chamber
    A Pierre. Dell' azzuro silenzio, inquietum, for bass flute, clarinet, double bass and live electronics
  7. Vocal
    Como una ola de fuerza y luz, for soprano, piano, orchestra and tape
  8. Chamber
    Con Luigi Dallapiccola, for 6 percussionists also operating 4 pickups, 3 ring modulators and 3 frequency generators
  9. Vocal
    Cori di Didone, for chorus and percussion
  10. Vocal
    Da un diario italiano, for 2 choirs
  11. Vocal
    Das atmende Klarsein, for small chorus, bass flute, live electronics and tape
  12. Chamber
    Epitaffio per Federico Garcia Lorca no. 2: Y su sangre ya viene cantando, for flute and small orchestra
  13. Vocal
    Guai ai gelidi mostri, for 2 altos, flute, clarinet, tuba, viola, cello, bass and live electronics
  14. Vocal
    Intolleranza 1960, concert suite for soprano, chorus and orchestra
  15. Vocal
    Liebeslied, for chorus and instruments

Listening guide

Hand-curated paths into Nono's catalogue
  1. Il canto sospeso
  2. Fragmente-Stille, an Diotima (string quartet)
  3. Prometeo — Tragedia dell\’ascolto
  4. Incontri (orchestra)
  5. La lontananza nostalgica utopica futura

Most Acclaimed

  1. Prometeo
    tragedy of listening — no theatrical action
  2. Fragmente-Stille, an Diotima
  3. Il canto sospeso
  4. A Pierre. Dell\’Azzurro Silenzio, Inquietum
  5. Post-Prae-Ludium per Donau

Most Weird

  1. Prometeo
    you sit in a boat-shaped wooden structure; musicians are above you in the dark around the walls; there is no visual action at all — only sound for 2+ hours
  2. La lontananza nostalgica utopica futura
    solo violin + 8 tape channels placed around the hall; the violinist wanders between recording stands during the performance
  3. Hay que caminar soñando
    two violins moving through the space; the players must keep moving
  4. Das atmende Klarsein
    bass flute + live electronics + chorus — sound dissolves into space
  5. Fragmente-Stille
    the score has 53 silent quotes from Hölderlin in the margins that the players must read and interpret; the silences are as important as the notes

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 21