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Pérotin

Pérotin
Dates
1160–1236
Era
Medieval (–1400)
Recognition
essential
Wikipedia

Where to start with Pérotin

Essential works to know this composer by — spread across their styles
  1. Vocal
    Alleluia: Nativitas
  2. Vocal
    Alleluia: Posui adiutorium
  3. Vocal
    Beata viscera
  4. Vocal
    Benedicamus Domino
  5. Vocal
    Dum sigillum summi Patris
  6. Vocal
    Et valde
  7. Vocal
    Mors
  8. Vocal
    Sederunt principes
  9. Vocal
    Viderunt omnes

Listening guide

Hand-curated paths into Pérotin's catalogue
  1. Viderunt omnes (4 voices)
  2. Sederunt principes (4 voices)
  3. Beata viscera (2 voices)
  4. Dum sigillum summi patris (2 voices)
  5. Alleluia Nativitas

Most Acclaimed

  1. Viderunt omnes
  2. Sederunt principes
  3. Alleluia Nativitas
  4. Organum triplum and quadruplum (complete)
  5. Beata viscera

Most Weird

  1. Viderunt omnes
    the bass voice (tenor) holds a single Gregorian chant note for over a minute while three upper voices create a texture of rhythmic modes above it
  2. Sederunt principes
    8-minute piece — the tenor’s two notes last approximately 4 minutes each; structurally alien to modern ears
  3. Organa quadrupla (complete)
    four-voice organum — the first major 4-voice works in Western music; 1198-1200
  4. Rhythmic modes in practice
    the upper voices use the six rhythmic modes — the first notated rhythm system in Western music
  5. Alleluia Posui adiutorium

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 9