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Purcell

Henry Purcell
Dates
1659–1695
Era
Baroque (1600–1750)
Recognition
essential
Wikipedia

Where to start with Purcell

Essential works to know this composer by — spread across their styles
  1. Stage
    Dido and Aeneas, Z.626 — Opera
  2. Vocal
    Hail, bright Cecilia, Z.328
  3. Chamber
    March and Canzona for the Funeral of Queen Mary, for 4 trumpets, Z.860
  4. Keyboard
    8 Suites, Z.660-669
  5. Stage
    The Fairy Queen, Z.629
  6. Vocal
    'Tis women makes us love, catch for 4 voices, Z.281
  7. Chamber
    15 Fantasias for viols, D.732-747
  8. Stage
    A Fool's Preferment, or, The Three Dukes of Dunstable, Z.571
  9. Keyboard
    A New Ground in E minor, Z.682
  10. Chamber
    A New Ground, for harpsichord, Z.T682
  11. Keyboard
    A New Irish Tune in G major, Z.646, "Lilliburlero"
  12. Keyboard
    A New Minuet in D minor, Z.689
  13. Keyboard
    A New Scotch Tune in G major, Z.655
  14. Vocal
    A Prince, for voice and continuo
  15. Vocal
    A thousand sev'ral ways I tried, Z.359

Listening guide

Hand-curated paths into Purcell's catalogue
  1. Dido and Aeneas — Dido\’s Lament
  2. Music for the Funeral of Queen Mary
  3. Rondeau (Trumpet Voluntary — actually by Jeremiah Clarke)
  4. When I Am Laid in Earth
  5. The Fairy Queen (semi-opera selections)

Most Acclaimed

  1. Fantazias for Strings (complete)
  2. Dido and Aeneas
  3. Odes and Welcome Songs
  4. The Fairy Queen
  5. King Arthur (semi-opera)

Most Weird

  1. Fantazias for Viols
    written in a dying idiom in 1680 — everyone had moved on to violins; chromatic, intensely personal, never performed in public
  2. Chacony in G minor
    string orchestra — austere; the ground bass repeats 32 times; each repetition more intense
  3. Hear My Prayer O Lord
    8-part verse anthem — the most chromatic piece he ever wrote; the harmonic sequence at ”hear my prayer” is extraordinary
  4. Music for the Funeral of Queen Mary
    march and canzona in minor — played at Purcell’s own funeral months later
  5. The Tempest (semi-opera)
    attribution disputed — but if Purcell’s, the most theatrical music of the period

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 278