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Satie

Erik Satie
Dates
1866–1925
Era
20th Century (1900–1945)
Recognition
essential
Wikipedia

Where to start with Satie

Essential works to know this composer by — spread across their styles
  1. Keyboard
    3 Gymnopédies
  2. Stage
    Parade — Ballet
  3. Vocal
    3 Mélodies of 1886
  4. Orchestral
    3 Petites pièces montées
  5. Chamber
    Air du Grand Prieur, for guitar
  6. Keyboard
    3 Gnossiennes, for piano
  7. Keyboard
    12 Petits chorals
  8. Keyboard
    2 Choses
  9. Keyboard
    2 Rêveries nocturnes
  10. Keyboard
    3 Distinguished waltzes of a disgusted dandy
  11. Vocal
    3 Mélodies of 1916
  12. Keyboard
    3 Pages mystiques
  13. Keyboard
    3 Sarabandes
  14. Keyboard
    3 pieces in the form of a pear, for piano 4-hands
  15. Keyboard
    4 Ogives

Listening guide

Hand-curated paths into Satie's catalogue
  1. Gymnopédies Nos. 1–3
  2. Gnossiennes Nos. 1–6
  3. Je te veux
  4. Trois morceaux en forme de poire
  5. Parade
    ballet with Picasso

Most Acclaimed

  1. Socrate
    voice and piano — achingly still, proto-minimalist
  2. Sports et divertissements
    20 piano pieces with absurdist prose — must be read alongside
  3. Parade
    typewriters, gunshots, a lottery wheel
  4. Sarabandes (1887)
    predated impressionism and sounded like the future
  5. Gymnopédies / Gnossiennes
    Reinbert de Leeuw’s slow recordings reveal their depth

Most Weird

  1. Vexations
    840 repetitions of one page — he didn’t specify how long it should take
  2. Musique d\’ameublement / Furniture Music
    literally designed to be ignored while you have a party
  3. Embryons desséchés
    piano pieces about crustaceans that quote Chopin mockingly
  4. Le piège de Méduse
    a play with intermission music for a mechanical monkey
  5. La Belle Excentrique
    piano 4 hands — music hall pastiche gone sideways

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 98