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Stockhausen

Karlheinz Stockhausen
Dates
1928–2007
Era
Post-War (1945–1985)
Recognition
essential
Wikipedia

Where to start with Stockhausen

Essential works to know this composer by — spread across their styles
  1. Orchestral
    Gruppen für drei Orchester
  2. Chamber
    Aus den sieben Tagen, 15 text compositions for 'intuitive' music
  3. Vocal
    Choirs for Doris, for chorus
  4. Keyboard
    Klavierstück III
  5. Stage
    Michael's Farewell, for 5 trumpets
  6. Chamber
    Kontakte, for piano, percussion and electronic sounds
  7. Vocal
    Chorale, for chorus
  8. Chamber
    Dr. K-Sextet, for flute, bass clarinet, piano, vibraphone, tubular bells, viola, and cello
  9. Chamber
    Helikopter String Quartet, for 4 helicopters and string quartet
  10. Chamber
    In Freundschaft, for melody instrument
  11. Keyboard
    Klavierstück IX
  12. Keyboard
    Klavierstück V
  13. Keyboard
    Klavierstück XI
  14. Chamber
    Kreuzspiel, for oboe, bass clarinet, piano, and 3 percussionists
  15. Chamber
    Mantra, for 2 pianos, percussion, and electronics

Listening guide

Hand-curated paths into Stockhausen's catalogue
  1. Gesang der Jünglinge (Song of the Youths)
  2. Stimmung
  3. Kontakte
  4. Klavierstücke I-IV
  5. Gruppen (three orchestras)

Most Acclaimed

  1. Klavierstücke I-XI (complete)
  2. Gruppen
    three orchestras surrounding the audience — each with its own conductor
  3. Licht (opera cycle)
  4. Mantra (two pianos)
  5. Telemusik

Most Weird

  1. Licht (7 operas — Helicopter String Quartet scene)
    a string quartet plays while flying in four separate helicopters above the audience; the sounds are transmitted live to the hall
  2. Stimmung
    6 singers sit in lotus position in near-darkness for 75 minutes on one chord (B-flat overtones); between sections they call out the names of gods from world religion
  3. Aus den sieben Tagen
    text scores with no notes — ”Play a vibration in the rhythm of the universe”; ”Think Nothing”
  4. Klavierstück XI
    one large score on a single sheet; performer chooses any group at random; the piece ends when a group is reached for the third time
  5. Gesang der Jünglinge
    1956 — electronic tape; a boy’s voice singing the Benedicite is transformed into electronic sound and back; the boy and the machine become one voice

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 21