Canon your personal critical-acclaim atlas
← back to classical

Takemitsu

Toru Takemitsu
Dates
1930–1996
Era
Post-War (1945–1985)
Recognition
essential
Wikipedia

Where to start with Takemitsu

Essential works to know this composer by — spread across their styles
  1. Orchestral
    November Steps, for shakuhachi, biwa, and orchestra
  2. Chamber
    A Bird Came Down the Walk, for viola and piano
  3. Vocal
    A Marvelous Kid, "Subarashii Akujo'; Theme Song for the Film 'Subarashii Akujo"
  4. Stage
    Black Rain — Film score
  5. Keyboard
    For Away
  6. Orchestral
    Requiem, for string orchestra
  7. Orchestral
    A Flock Descends Into the Pentagonal Garden
  8. Vocal
    A Song of Circles and Triangles, "Maru to Sankaku no Uta"
  9. Orchestral
    A String around Autumn, for viola and orchestra
  10. Chamber
    A Way A Lone, for string quartet
  11. Orchestral
    A Way a Lone II, for string orchestra
  12. Chamber
    Air for solo flute
  13. Orchestral
    Aki, for biwa, shakuhachi, and orchestra, "Autumn"
  14. Vocal
    All Alone, "Potsunen"
  15. Chamber
    All in Twilight, 4 pieces for guitar

Listening guide

Hand-curated paths into Takemitsu's catalogue
  1. November Steps (biwa, shakuhachi, orchestra)
  2. Requiem for Strings
  3. Rain Tree Sketch (piano)
  4. A Flock Descends into the Pentagonal Garden
  5. Toward the Sea (alto flute + guitar)

Most Acclaimed

  1. A Flock Descends into the Pentagonal Garden
  2. Quatrain (cello, clarinet, violin, piano + orchestra)
  3. How Slow the Wind
  4. Family Tree (narrator + orchestra)
  5. Green (November Steps II)

Most Weird

  1. November Steps
    the biwa and shakuhachi are not synchronized with the orchestra — they speak past it; Bernstein commissioned it; Takemitsu refused to have the Japanese instruments imitate the Western ones
  2. Autumn (biwa + shakuhachi)
    the two instruments speak to each other without resolving — they coexist without merging
  3. From Me Flows What You Call Time
    5 percussionists — each in a different color costume; the work is about time and flow
  4. Dream/Window
    orchestra — dreamlike; his most extended orchestral meditation
  5. For Away (piano)
    single notes widely spaced — the silence between notes is as long as the notes

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 102