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Varèse

Edgard Varèse
Dates
1883–1965
Era
20th Century (1900–1945)
Recognition
essential
Wikipedia

Where to start with Varèse

Essential works to know this composer by — spread across their styles
  1. Chamber
    Ionisation, for 13 percussion instruments
  2. Orchestral
    Amériques
  3. Vocal
    Ecuatorial, for bass, chorus, brass, piano, organ, 2 ondes martenots, and percussion
  4. Orchestral
    Arcana
  5. Orchestral
    Deserts
  6. Orchestral
    Poeme électronique
  7. Orchestral
    Density 21.5, for flute and orchestra
  8. Chamber
    Density 21.5, for solo flute
  9. Chamber
    Déserts for brass, percussion, piano, and tape
  10. Chamber
    Hyperprisme, for winds and percussion
  11. Orchestral
    Hyperprisms
  12. Chamber
    Intégrales, for 11 winds and 4 percussionists
  13. Vocal
    Nocturnal, for soprano, chorus of basses, and chamber orchestra
  14. Chamber
    Octandre, for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, and double bass
  15. Orchestral
    Offrandes - Chanson De La-Haut

Listening guide

Hand-curated paths into Varèse's catalogue
  1. Ionisation (percussion ensemble)
  2. Amériques (orchestra)
  3. Density 21.5 (solo flute)
    written for a platinum flute
  4. Hyperprism
  5. Octandre

Most Acclaimed

  1. Déserts (orchestra + tape)
  2. Poème Electronique
  3. Intégrales
  4. Ecuatorial
  5. Arcana

Most Weird

  1. Poème Electronique
    1958 Brussels World’s Fair — 400 speakers surrounding 15,000 visitors; the building was designed by Le Corbusier with Xenakis; the building has been demolished
  2. Ionisation
    1931 — the first Western concert work for pure percussion ensemble (no pitch instruments); shockingly ahead of its time
  3. Ecuatorial
    bass voices + brass + organ + ondes Martenot; Mayan text; thunderous and alien
  4. Arcana
    orchestra — Paracelsus epigram; massive and violent; the brass writing is extreme
  5. Déserts
    orchestra + pre-recorded tape; the tape sections are played between the orchestral sections — pure electronic sound alternating with acoustic instruments (1950)

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 20