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Gluck

Christoph Willibald von Gluck
Dates
1714–1787
Era
Baroque (1600–1750)
Recognition
essential
Wikipedia

Where to start with Gluck

Essential works to know this composer by — spread across their styles
  1. Stage
    Iphigénie en Tauride,, Wq. 46 — Opera
  2. Orchestral
    Ballettmusik
  3. Vocal
    Einem Bach..., for voice and piano
  4. Stage
    Orfeo ed Euridice — Opera
  5. Stage
    Alessandro — Ballet
  6. Stage
    Antigono, Wq.21 — Opera
  7. Stage
    Armide, Wq.45 — Opera
  8. Stage
    Don Juan — Ballet
  9. Stage
    Ezio, Wq.15 — Opera
  10. Stage
    Il Parnaso confuso, Wq.33
  11. Stage
    Iphigénie en Aulide
  12. Stage
    L'innocenza giustificata, Wq. 20 — Opera
  13. Stage
    L'ivrogne corrigé ou le mariage du diable
  14. Stage
    La Semiramide riconosciuta, Wq.13 — Opera
  15. Stage
    La clemenza di Tito, Wq.16 — Opera

Listening guide

Hand-curated paths into Gluck's catalogue
  1. Orfeo ed Euridice — Dance of the Blessed Spirits
  2. Iphigénie en Tauride
  3. Alceste
  4. Che farò senza Euridice
  5. Don Juan (ballet)

Most Acclaimed

  1. Orfeo ed Euridice (1762 Vienna version)
  2. Iphigénie en Tauride
  3. Armide
  4. Alceste
  5. Iphigénie en Aulide

Most Weird

  1. Don Juan (ballet)
    the original Don Juan story — violent, dark, and ends in Hell; unusual for ballet in 1761
  2. Paride ed Elena (opera)
    Paris and Helen — Gluck’s most neglected reform opera
  3. Orfeo ed Euridice: comparison of 1762 vs 1774
    the same opera completely rewritten in French for Paris; the two versions are radically different
  4. Iphigénie en Tauride — Storm opening
    opera opens with a real storm onstage — unusual realism for 18th century opera
  5. La Corona (opera — unperformed in his lifetime)

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 30