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Paganini

Niccolò Paganini
Dates
1782–1840
Era
Classical (1750–1820)
Recognition
essential
Wikipedia

Where to start with Paganini

Essential works to know this composer by — spread across their styles
  1. Chamber
    24 Caprices for Solo Violin, op. 1, MS25
  2. Orchestral
    Violin Concerto no. 1 in E flat major, op. 6, MS21
  3. Orchestral
    Sonata per la Grand Viola and Orchestra in C minor, MS70
  4. Orchestral
    Violin Concerto no. 2 in B minor, op. 7, "La campanella"
  5. Chamber
    3 Duets, for violin and bassoon, MS130
  6. Chamber
    3 Duetti concertanti, for violin and cello, MS107
  7. Chamber
    3 Quartets, for guitar and strings, op. 4, MS28-30
  8. Chamber
    3 Quartets, for guitar and strings, op. 5, MS31-33
  9. Chamber
    4 Nocturnes, for string quartet, MS15
  10. Chamber
    4 Studies for Violin Solo
  11. Chamber
    43 Ghiribizzi, MS43
  12. Chamber
    6 Duetti, for violin and guitar, MS110
  13. Chamber
    6 Sonatas, for violin and guitar, MS10, "Lucca Sonatas"
  14. Chamber
    6 Sonatas, for violin and guitar, MS11, "Lucca Sonatas"
  15. Chamber
    6 Sonatas, for violin and guitar, MS12, "Lucca Sonatas"

Listening guide

Hand-curated paths into Paganini's catalogue
  1. 24 Caprices Op. 1
  2. Violin Concerto No. 1 in D major
  3. La Campanella (Rondo from Concerto No. 2)
  4. Caprice No. 24 in A minor
  5. Introduction and Variations on ”Nel cor più non mi sento”

Most Acclaimed

  1. 24 Caprices (complete)
  2. Violin Concerto No. 2 in B minor
  3. Moses Fantasy (for G string alone)
  4. Guitar Sonatas
  5. I Palpiti (variations on Rossini)

Most Weird

  1. Caprice No. 24
    the theme has been used by Brahms, Rachmaninoff, Liszt, Lutosławski, and Paganini himself — it’s already deranged in his hands
  2. Moses Fantasy
    variations on an operatic theme played on the G string alone — the lowest string; other strings are detuned to resonate
  3. I Palpiti (variations)
    borderline unplayable variations that show off every trick simultaneously
  4. Guitar Sonatas
    he also played guitar — these works are almost never performed and show a completely different side
  5. Caprice No. 5 in A minor
    double-stop arpeggios — two simultaneous independent voices; impossible-looking on the page

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 149