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Spohr

Louis Spohr
Dates
1784–1859
Era
Classical (1750–1820)
Recognition
essential
Wikipedia

Where to start with Spohr

Essential works to know this composer by — spread across their styles
  1. Orchestral
    Clarinet Concerto no. 1 in C minor, op. 26
  2. Vocal
    3 Leider, for 2 sopranos and piano, WoO117
  3. Chamber
    6 Salonstucke, for violin and pinano, op. 135
  4. Stage
    Der Alchymist, WoO57 — Opera
  5. Orchestral
    Violin Concerto no. 8 in A minor, op. 47
  6. Vocal
    6 Lieder, op. 25
  7. Vocal
    6 Songs, for baritone, violin and piano, op. 154
  8. Vocal
    6 Songs, for voice, clarinet and piano, op. 103
  9. Vocal
    6 Songs, for voice, clarinet and piano, op. 103
  10. Vocal
    6 Songs, op. 25
  11. Vocal
    6 Songs, op. 37
  12. Vocal
    6 Songs, op. 41
  13. Vocal
    6 Songs, op. 72
  14. Chamber
    7 String Quintets, op. 33
  15. Vocal
    Abendlied, song for voice and piano, WoO104, "Sternennacht, heil'ge Nacht!"

Listening guide

Hand-curated paths into Spohr's catalogue
  1. Nonet in F major Op. 31
  2. Clarinet Concerto No. 1 in C minor
  3. Violin Concerto No. 8 ”in the form of a vocal scene”
  4. Symphony No. 4 ”The Consecration of Sounds”
  5. String Quintet in C minor Op. 69

Most Acclaimed

  1. Nonet Op. 31
  2. Symphony No. 4
  3. String Quintet in C minor
  4. Octet in E major Op. 32
  5. Violin Concerto No. 8

Most Weird

  1. Symphony No. 4 ”The Consecration of Sounds”
    programmatic — describes the development of music from silence through nature sounds to human art
  2. Historical Symphony No. 6
    4 movements each in a different historical style: 1720, 1780, 1810, 1840 — a tour of musical history
  3. Concerto for String Quartet and Orchestra
    a quartet as soloist — unusual form
  4. Symphony No. 7 ”The Earthly and the Divine in Human Life”
    programmatic — earthly passions vs divine calm
  5. Jessonda (opera)
    his most ambitious opera — Indian subject

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 140