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Cui

César Cui
Dates
1835–1918
Era
Romantic (1860–1900)
Recognition
essential
Wikipedia

Where to start with Cui

Essential works to know this composer by — spread across their styles
  1. Keyboard
    12 Miniatures, op. 20
  2. Vocal
    25 Poems by Pushkin, op. 57
  3. Orchestral
    3 Scherzos, op. 82
  4. Chamber
    5 Petites Duos, for flute, violin and piano, op. 56
  5. Stage
    A Feast in Time of Plague — Opera
  6. Keyboard
    25 Preludes, op. 64
  7. Keyboard
    4 Morceaux, op. 22
  8. Vocal
    5 Mélodies, for voice and piano, op. 54
  9. Vocal
    7 Poems, op. 33
  10. Vocal
    Budrys and His Sons, for voice and orchestra, op. 98
  11. Vocal
    Echoes of War, op. 66
  12. Vocal
    Ici bas, for voice and orchestra
  13. Keyboard
    Impromptu-Caprice, for piano
  14. Chamber
    Kaleidoscope, 24 morceaux, for violin and piano, op. 50
  15. Stage
    Le Flibustier — Opera

Listening guide

Hand-curated paths into Cui's catalogue
  1. Orientale from Kaleidoscope Op. 50
  2. Suite Concertante for violin Op. 25
  3. Piano Miniatures Op. 20
  4. A Argenteau Op. 40
  5. Violin Sonata Op. 84

Most Acclaimed

  1. String Quartet No. 1 in C minor Op. 45
  2. Suite No. 3 for orchestra Op. 43
  3. Violin Sonata Op. 84
  4. 25 Preludes for piano Op. 64
  5. Suite Miniature for violin Op. 20

Most Weird

  1. William Ratcliff (opera)
    his first opera — dark murder plot after Heine; the piece Balakirev publicly approved of
  2. Angelo (opera)
    after Victor Hugo — set in Renaissance Venice
  3. Prisoner of the Caucasus (opera)
    his most orientalist work
  4. La Flibustier (opera)
    French-language opera — written for Paris
  5. Paraphrases
    piano variations on Chopsticks — collaborative piece with Borodin, Lyadov, and Rimsky-Korsakov

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 27