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Strauss

Richard Strauss
Dates
1864–1949
Era
Romantic (1860–1900)
Recognition
essential
Wikipedia

Where to start with Strauss

Essential works to know this composer by — spread across their styles
  1. Orchestral
    Also sprach Zarathustra, op. 30
  2. Vocal
    Four Last Songs, TrV296, WoO150
  3. Stage
    Der Rosenkavalier, op. 59, TrV227, "musical comedy"
  4. Chamber
    Metamorphosen, for 23 solo strings, op. 142, TrV290
  5. Orchestral
    Don Juan, op. 20, TrV156
  6. Orchestral
    Eine Alpensinfonie, op. 64, TrV233
  7. Orchestral
    Till Eulenspiegels lustige Streiche, op. 28, Trv171
  8. Orchestral
    Tod und Verklärung, op. 24, TrV158
  9. Orchestral
    Don Quixote: Fantastic Variations for Cello and Orchestra, op. 35, TrV184
  10. Orchestral
    Duet-Concertino for Clarinet, Bassoon, Harp and Strings, TrV293
  11. Orchestral
    Ein Heldenleben, op. 40, TrV190
  12. Stage
    Elektra, op. 58, TrV223
  13. Orchestral
    Horn Concerto no. 2 in E flat major, TrV283
  14. Orchestral
    Oboe Concerto in D major, WoO144, TrV292
  15. Stage
    Salome, op. 54, TrV215

Listening guide

Hand-curated paths into Strauss's catalogue
  1. Also Sprach Zarathustra (2001 opening)
  2. Der Rosenkavalier (waltzes)
  3. Four Last Songs
  4. Till Eulenspiegels lustige Streiche
  5. Death and Transfiguration

Most Acclaimed

  1. Elektra (opera)
  2. Salome (opera)
  3. Metamorphosen for 23 strings
  4. Der Rosenkavalier
  5. Oboe Concerto

Most Weird

  1. Metamorphosen
    written as Germany collapsed in 1945 — 23 solo string instruments, 28 minutes of elegy; quotes Beethoven’s Eroica funeral march in the bass at the end
  2. Elektra
    the harmony at the start is so extreme that Schoenberg thought Strauss had converted to atonality; the ”Elektra chord” remains unanalyzed
  3. Till Eulenspiegel
    the horn solo represents Till screaming on the gallows before his execution; then a final playful pizzicato — he gets the last laugh
  4. Symphonia Domestica
    program symphony depicting a day in the Strauss household — including a baby’s bath and the parents’ lovemaking
  5. Capriccio (opera)
    his last opera — about the debate between words and music; the Countess chooses neither composer nor poet; 2.5 hours of unresolved ambiguity

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 167