Canon your personal critical-acclaim atlas
← back to classical

Dvořák

Antonín Dvořák
Dates
1841–1904
Era
Romantic (1860–1900)
Recognition
essential popular
Wikipedia

Where to start with Dvořák

Essential works to know this composer by — spread across their styles
  1. Orchestral
    Carnival, op. 92
  2. Chamber
    Piano Trio in E minor, op. 90, "Dumky"
  3. Keyboard
    Slavonic Dances, B.145, op. 72
  4. Vocal
    Requiem, for vocal soloists, chorus and orchestra, B.165, op. 89
  5. Stage
    Rusalka, B.203, op. 114
  6. Orchestral
    Cello Concerto in B minor, op. 104
  7. Orchestral
    Serenade for Strings in E major, op. 22
  8. Chamber
    String Quartet no. 12 in F, op. 96, "American"
  9. Orchestral
    Symphony no. 8 in G major, B.163, op. 88
  10. Orchestral
    Symphony no. 9 in E minor, op. 95, "From the New World"
  11. Keyboard
    Slavonic Dances, Series 2, op. 72, B.145
  12. Keyboard
    10 Legends, op. 59
  13. Orchestral
    Czech Suite, op. 39
  14. Orchestral
    In Nature's Realm, B.168, op. 91
  15. Chamber
    Piano Quintet in A major, B.155, op. 81

Listening guide

Hand-curated paths into Dvořák's catalogue
  1. Symphony No. 9 ”From the New World”
  2. Cello Concerto in B minor
  3. String Quartet No. 12 ”American”
  4. Slavonic Dances (complete)
  5. Symphony No. 8 in G major

Most Acclaimed

  1. Symphony No. 7 in D minor
  2. String Quintet in E-flat Op. 97
  3. Piano Quintet No. 2 in A major
  4. Rusalka (opera)
  5. Stabat Mater

Most Weird

  1. Piano Quintet No. 2 in A major
    surprisingly dark for Dvořák — Dumka movements alternate grief and ecstasy
  2. Cello Concerto
    written in New York missing Bohemia — the slow movement quotes a song he wrote for a woman he loved; she died before he returned
  3. The Wild Dove (symphonic poem)
    a woman poisons her husband, remarries — then a dove on her first husband’s grave haunts her to suicide
  4. String Sextet in A major Op. 48
  5. Rusalka
    the little mermaid — Dvořák’s mermaid stays silent and the prince leaves her for a human; she gets her voice back only to kill him

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 153