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Gibbons

Orlando Gibbons
Dates
1583–1625
Era
Baroque (1600–1750)
Recognition
essential
Wikipedia

Where to start with Gibbons

Essential works to know this composer by — spread across their styles
  1. Chamber
    2 Fantasias a4, MB24-25
  2. Vocal
    Ah, deere heart
  3. Keyboard
    Alman on the 1st tone, MB33
  4. Keyboard
    Alman on the 3rd tone, MB34
  5. Keyboard
    Alman on the 5th tone, MB35
  6. Keyboard
    Alman on the 8th tone, MB37
  7. Vocal
    Almighty God, who by thy Son
  8. Vocal
    Almighty and everlasting God
  9. Vocal
    Behold, thou hast made my days
  10. Vocal
    Blessed are all they that fear the Lord
  11. Vocal
    Come, kiss me with those lips of thine
  12. Keyboard
    Coranto on the 1st tone, MB39
  13. Keyboard
    Coranto on the 3rd tone, MB40
  14. Vocal
    Daintie fine bird
  15. Vocal
    Drop, drop, slow tears

Listening guide

Hand-curated paths into Gibbons's catalogue
  1. The Silver Swan (madrigal)
  2. Fantasia a 4 in D minor (keyboard)
  3. Lord Salisbury\’s Pavan and Galliard
  4. This Is the Record of John (verse anthem)
  5. Prelude in G major

Most Acclaimed

  1. Fantasias for keyboard (complete)
  2. Fantasia a 6 in G minor (strings)
  3. Consort music (complete)
  4. Verse anthems
  5. In Nomine settings

Most Weird

  1. Fantasia a 6 in G minor
    the most chromatic English consort music of the period — predicts the expressive power of 17th-century German music
  2. Fantasia a 4 in A minor
    keyboard — free-form exploration
  3. In Nomine settings (keyboard)
    all based on a cantus firmus from Taverner’s Gloria tibi Trinitas
  4. Pavan and Galliard in A minor ”Lord Salisbury”
    the pavan is unexpectedly dark for its context
  5. Go from My Window (keyboard variations)
    virtuosic keyboard variations on a popular tune

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 132