Canon your personal critical-acclaim atlas
← back to classical

Lassus

Orlande de Lassus
Dates
1532–1594
Era
Renaissance (1400–1600)
Recognition
essential
Wikipedia

Where to start with Lassus

Essential works to know this composer by — spread across their styles
  1. Vocal
    Lagrime di San Pietro
  2. Chamber
    Canon in two voices no. 1
  3. Vocal
    Missa Entre vous filles
  4. Vocal
    Missa Susanne un jour
  5. Vocal
    9 Lamentationes Hieremiae, H.xxii/3
  6. Vocal
    Accipe daque: Anna mihi dilecta veni
  7. Vocal
    Ad coenam agni providi, hymn for 4 voices, H.xviii/57
  8. Vocal
    Ad te levavi animam meam
  9. Vocal
    Agimus tibi gratias, motet for 6 voices, M. ix
  10. Vocal
    Al dolce suon
  11. Vocal
    Allala la pia calia, S.x/104
  12. Vocal
    Alleluia laus et gloria
  13. Vocal
    Alma Redemptoris mater
  14. Vocal
    Ante me non est formatus Deus, motet for 6 voices, M. ix
  15. Vocal
    Appariran per me le stell'in cielo, madrigal for 4 voices, S. viii/27

Listening guide

Hand-curated paths into Lassus's catalogue
  1. Prophetiae Sibyllarum
  2. Penitential Psalms
  3. Lagrime di San Pietro
  4. Matona mia cara (madrigal)
  5. Bonjour mon coeur (chanson)

Most Acclaimed

  1. Lagrime di San Pietro
    last work — 21 sacred madrigals written as he was dying
  2. Penitential Psalms
  3. Prophetiae Sibyllarum
    prologue in extreme chromaticism
  4. Masses (complete)
  5. German songs (Lieder)

Most Weird

  1. Prophetiae Sibyllarum
    the Prologue begins with the most extreme chromaticism of the 16th century — the harmonic language predates Gesualdo by 30 years
  2. Lagrime di San Pietro
    his last completed work — 21 sacred madrigals, each more intimate than the last; he died before it was published
  3. Psalmi Davidis poenitentiales
    Penitential Psalms — commissioned by Duke Albrecht V; lavishly illuminated manuscript; almost never public-performed in his time
  4. La nuit froide et sombre
    chanson — cold and dark night; unusually chromatic
  5. Tristis est anima mea (motet)
    the most harmonically daring of all his sacred works

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 190