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Taverner

John Taverner
Dates
1490–1545
Era
Renaissance (1400–1600)
Recognition
essential
Wikipedia

Where to start with Taverner

Essential works to know this composer by — spread across their styles
  1. Vocal
    Alleluia, Veni electa mea
  2. Chamber
    In Nomine
  3. Vocal
    Audivi vocem de coelo
  4. Vocal
    Ave Dei Patris filia
  5. Vocal
    Christe Jesu pastor bone
  6. Vocal
    Dum transisset sabbatum
  7. Vocal
    Dum transisset sabbatum
  8. Vocal
    Gaude plurimum
  9. Vocal
    Gloria in excelsis
  10. Vocal
    In Nomine
  11. Vocal
    Kyrie 'Leroy'
  12. Vocal
    Magnificat secundi toni
  13. Vocal
    Mass 'The Western Wind'
  14. Vocal
    Mater Christi sanctissima
  15. Vocal
    Missa 'Gloria Tibi Trinitas'

Listening guide

Hand-curated paths into Taverner's catalogue
  1. Western Wind Mass
  2. Missa Gloria tibi Trinitas
  3. In Nomine (from Missa Gloria)
  4. Dum transisset Sabbatum
  5. O Splendor Gloriae

Most Acclaimed

  1. Missa Gloria tibi Trinitas
  2. Missa Corona Spinea
  3. Dum transisset Sabbatum
  4. Western Wind Mass
  5. Missa Mater Christi

Most Weird

  1. In Nomine (from Missa Gloria)
    the treble part from his Missa Gloria became the cantus firmus for an entire genre — 100+ fantasias by other composers; he accidentally created the ”In Nomine” tradition
  2. Western Wind Mass
    the same popular secular tune appears in every voice across three masses — one tune used three different ways
  3. Missa Gloria tibi Trinitas
    the melody in the highest voice was so striking it became the basis for a century of English instrumental music
  4. Missa Corona Spinea (Crown of Thorns)
    his most ambitious mass — the most complex polyphony of the English Renaissance
  5. In Trouble and Adversity (O Christe Jesu)
    votive antiphon — later in life Taverner allegedly renounced his Catholic music

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 20