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Obrecht

Jacob Obrecht
Dates
1450–1505
Era
Renaissance (1400–1600)
Recognition
essential
Wikipedia

Where to start with Obrecht

Essential works to know this composer by — spread across their styles
  1. Vocal
    Beata es Maria
  2. Vocal
    Factor orbis
  3. Vocal
    Fors seulement
  4. Vocal
    Ic draghe de mutse clutse
  5. Vocal
    Ic ret my uut spacieren
  6. Vocal
    Inter praeclarissimas virtutes
  7. Vocal
    J'ay pris amours
  8. Vocal
    La tortorella
  9. Vocal
    Laudemus nunc Dominum; Non est hic aliud
  10. Vocal
    Missa 'Maria zart'
  11. Vocal
    Missa Caput
  12. Vocal
    Missa Fortuna desperata
  13. Vocal
    Missa Sicut spina rosam, mass for 4 voices
  14. Vocal
    Missa Sub tuum presidium
  15. Vocal
    Omnes spiritus laudet, office polyphony

Listening guide

Hand-curated paths into Obrecht's catalogue
  1. Missa Sub tuum praesidium
  2. Missa L\’homme armé
  3. Salve Regina
  4. Parce Domine
  5. Missa Fortuna desperata

Most Acclaimed

  1. Missa Fortuna desperata
  2. Missa De Tous Biens Playne
  3. Jacob\’s Lament (Miserere)
  4. Missa Caput
  5. Missa Libenter gloriabor

Most Weird

  1. Missa Sub tuum praesidium
    uses structural devices where note values encode numbers — numerical symbolism invisible to the ear
  2. Jacob\’s Lament
    extremely chromatic for 1503 — harmonies that anticipate Gesualdo by 80 years
  3. Missa Caput
    the tenor cantus firmus is taken from an English plainchant source — Franco-Flemish polyphony built on an English foundation
  4. Missa Fortuna desperata
    based on a popular secular chanson about misfortune — sacred music on a worldly theme
  5. Missa Si dedero
    canons in augmentation and diminution — mathematical complexity

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 26