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Offenbach

Jacques Offenbach
Dates
1819–1880
Era
Early Romantic (1820–1860)
Recognition
essential
Wikipedia

Where to start with Offenbach

Essential works to know this composer by — spread across their styles
  1. Stage
    Orphée aux Enfers — Opera
  2. Chamber
    3 Grands duos concertants, for 2 cellos, op. 43
  3. Orchestral
    Abendblätter, waltzes for orchestra
  4. Keyboard
    Dernier Souvenir: Valse de Zimmer
  5. Vocal
    Hymne, for voices
  6. Stage
    Les contes d'Hoffmann — Opera
  7. Orchestral
    American Eagle Waltz
  8. Stage
    Barbe-bleue
  9. Stage
    Belle Lurette
  10. Orchestral
    Brunes et Blondes, waltz suite for orchestra
  11. Chamber
    Chanson de Berthe, for cello and piano
  12. Chamber
    Chants du soir, 6 serenades for cello and piano
  13. Stage
    Christopher Columbus
  14. Orchestral
    Concerto militaire in G major, for cello and orchestra
  15. Stage
    Coscoletto or Le lazzarone

Listening guide

Hand-curated paths into Offenbach's catalogue
  1. Orpheus in the Underworld — Can-Can
  2. Tales of Hoffmann (opera)
  3. La Belle Hélène (operetta)
  4. Barcarolle (from Tales of Hoffmann)
  5. Die Fledermaus (not Offenbach — that\’s Strauss Jr; try: La Grande Duchesse de Gérolstein)

Most Acclaimed

  1. Tales of Hoffmann (unfinished opera)
  2. La Grande Duchesse de Gérolstein
  3. La Périchole
  4. La Belle Hélène
  5. La Vie Parisienne

Most Weird

  1. Tales of Hoffmann
    three acts about a romantic’s failed loves: a mechanical doll, a courtesan, a dying singer — and a framing device where he’s drunk in a bar; left unfinished at his death
  2. Barbe-bleue (operetta)
    Bluebeard as comedy — all his wives are still alive; he keeps them in a dungeon
  3. La Grande Duchesse de Gérolstein
    political satire — a duchess falls for a soldier and starts a pointless war; controversial in its day
  4. Les Deux Aveugles
    two fake blind men competing for coins — his earliest surviving operetta; 15 minutes
  5. Orpheus in the Underworld Act 2
    the Gods on Olympus are bored, idle, and ridiculous — a parody of official France

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 90