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Rossini

Gioachino Rossini
Dates
1792–1868
Era
Early Romantic (1820–1860)
Recognition
essential
Wikipedia

Where to start with Rossini

Essential works to know this composer by — spread across their styles
  1. Stage
    Guillaume Tell — Opera
  2. Vocal
    Petite messe solennelle — For choir, soloists, 2 pianos and harmonium
  3. Chamber
    6 Sonate a quattro
  4. Keyboard
    Allegretto
  5. Orchestral
    Concerto for Bassoon and Orchestra, "Concerto da Esperimento"
  6. Stage
    Il barbiere di Siviglia
  7. Stage
    L'italiana in Algeri — Opera
  8. Stage
    La cenerentola — Opera
  9. Vocal
    2 Nouvelles Compositions, for soprano and piano
  10. Vocal
    3 Choeurs religieux, for soloists and chorus
  11. Vocal
    3 Quartetti da camera
  12. Vocal
    Addio ai Viennesi, song for tenor and piano, "Da voi parto, amate sponde"
  13. Stage
    Adelaide di Borgogna — Opera
  14. Vocal
    Ah, per pietà, t'arresta!, duet for 2 sopranos and orchestra
  15. Chamber
    Allegro agitato in A minor, for cello and piano

Listening guide

Hand-curated paths into Rossini's catalogue
  1. The Barber of Seville (opera)
  2. William Tell Overture
  3. Stabat Mater
  4. Overture from La gazza ladra
  5. Una voce poco fa (from Barber)

Most Acclaimed

  1. Otello (his version — not Verdi\’s)
  2. Moses in Egypt
  3. Petite Messe Solennelle
  4. Guillaume Tell (complete opera)
  5. Semiramide

Most Weird

  1. Péchés de vieillesse (Sins of Old Age)
    150+ piano pieces and songs written in retirement — eccentric, ironic, private; titles include ”A Harmless Prelude,” ”Asinine Little Waltz,” ”Dried Figs”
  2. Petite Messe Solennelle
    original version for 12 singers, 2 pianos, and harmonium — his last major work; he asked to be forgiven for writing sacred music with such an amusing score
  3. Guillaume Tell
    4-hour grand opera — only the overture is ever performed; the full opera is extraordinary
  4. Moses in Egypt
    prayer from Act 3 became the most famous tune in Europe in 1820; Paganini wrote variations on it for one string
  5. Stabat Mater
    written partly by a ghost writer — he was ill; when he recovered he replaced the borrowed movements; the premiere nearly caused a riot over ownership

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 158