Canon your personal critical-acclaim atlas
← back to classical

Glinka

Mikhail Ivanovich Glinka
Dates
1804–1857
Era
Early Romantic (1820–1860)
Recognition
essential
Wikipedia

Where to start with Glinka

Essential works to know this composer by — spread across their styles
  1. Stage
    Ruslan and Lyudmila, G.xiv — Opera
  2. Keyboard
    3 Fugues
  3. Vocal
    A Blushing Rose Once You Were
  4. Orchestral
    Capriccio brillante on the Jota Aragonesa, G.ii3
  5. Stage
    Ivan Susanin: Zhizn' za tsarya, G. xii — Opera
  6. Keyboard
    3 Mazurkas in A flat major
  7. Keyboard
    5 Contredanses, G.vi166
  8. Keyboard
    5 Nouvelles quadrilles françaises, G.vi267
  9. Keyboard
    A Greeting To My Native Land, G.vi220
  10. Vocal
    A Knight's Romance
  11. Vocal
    A Road Song
  12. Vocal
    A farewell to St. Petersburg, G.x206
  13. Vocal
    A voice from the other world, G.x100
  14. Vocal
    Adèle, G.x316
  15. Vocal
    Ah, my sweetheart, thou art a beautiful maiden, G.x18

Listening guide

Hand-curated paths into Glinka's catalogue
  1. Ruslan and Ludmila — Overture
  2. A Life for the Tsar (opera)
  3. Kamarinskaya (orchestral)
  4. Spanish Overture No. 1 ”Capriccio brillante”
  5. Valse-Fantaisie

Most Acclaimed

  1. Ruslan and Ludmila (complete opera)
  2. A Life for the Tsar
  3. Kamarinskaya
  4. Grand Sextet in E-flat major
  5. Trio Pathétique

Most Weird

  1. Kamarinskaya
    Tchaikovsky said all of Russian orchestral music was contained in this one short piece
  2. Grand Sextet in E-flat major for piano and winds
  3. Ruslan and Ludmila
    Act 2 has the villain Chernomor — a dwarf sorcerer; the march of the dwarfs is the weirdest thing in Russian opera
  4. Jota Aragonesa (Spanish Overture No. 1)
    a Russian writing Spanish music — oddly successful
  5. Trio Pathétique in D minor
    early chamber music — surprisingly dramatic

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 119