Canon
Where to start with Liszt
Essential works to know this composer by — spread across their styles-
OrchestralLes Préludes, S.97
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KeyboardLiebesträume
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Chamber2 Waltzes, S.208a, for violin and piano
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OrchestralPiano Concerto no. 1 in E flat major, S.124
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Orchestral6 Hungarian Rhapsodies, S.359
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KeyboardMephisto Waltz no. 1, S.514
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Keyboard19 Hungarian Rhapsodies, S.244, R.106
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Orchestral2 Episodes from Lenau's Faust, S.110
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KeyboardAnnées de pèlerinage, S.160-163, R.10a-e
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KeyboardAprés une lecture du Dante I, fantasia quasi sonata, S.158c
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OrchestralFaust Symphony, S.108, R.425
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OrchestralMazeppa, S.100
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OrchestralPiano Concerto no. 2 in A major, S.125
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KeyboardPiano Sonata in B minor, S.178
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OrchestralTasso: Lamento e Trionfo, S.96
Listening guide
Hand-curated paths into Liszt's catalogueMost Popular
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Piano Sonata in B minor30 min, one movement
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Transcendental Études (complete)especially Mazeppa, Feux follets, Wilde Jagd
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Mephisto Waltz No. 1
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Années de pèlerinage Year 1 — Au bord d\’une source
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Liebesträume No. 3
Most Acclaimed
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Piano Sonata in B minorconsensus masterpiece
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Années de pèlerinage Year 3dark, spare late set
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Transcendental Études as a complete cycle
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Harmonies poétiques et religieuses, S.173
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Piano Concerto No. 2 in A major
Most Weird
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Nuages gris1881 — 3 minutes, no key center, sounds like 1920
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La lugubre gondola Nos. 1 & 2written before Wagner died, as if Liszt knew
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Unstern! sinistre, disastroone of the darkest piano pieces of the 19th century
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Bagatelle sans tonalitéthe title is the review
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Csárdás macabrea death-dance that mocks its own form
Similar composers
Same era, overlapping styles — by genre & period affinityWorks 453
- Orchestral
- ● Les Préludes, S.97
- ● Piano Concerto no. 1 in E flat major, S.124
- ● 6 Hungarian Rhapsodies, S.359
- 2 Episodes from Lenau's Faust, S.110
- Faust Symphony, S.108, R.425
- Mazeppa, S.100
- Piano Concerto no. 2 in A major, S.125
- Tasso: Lamento e Trionfo, S.96
- Totentanz, S.126, R.457
- 3 Odes funèbres, S.112
- Ce qu'on entend sur la montagne, S.95, R.412, "Bergsymphonie"
- Concerto pathéthique in E minor, S.365b
- Concerto pathéthique, S.367
- Concerto pathétique
- De Profundis, Psaume Instrumental, S.121a
- Die Ideale, S.106
- Festklänge, S.101
- Festklänge, S.101, R.418
- Festmarsch nach Motiven von E.H. z. S.C.-G., S.116
- Festmarsch zur Goethe Jubilaumsfeier, S.115
- Hamlet, S.104, R.421
- Hungaria, S.103, R.420
- Hungarian Battle March, S.119
- Hungarian Fantasy, S.123
- Hunnenschlacht, S.105
- Héroïde funèbre, S.102
- Les Preludes, S97/R414
- Malédiction, for piano and string orchestra, S.121
- Mephisto Waltz no. 2, S.111
- Orpheus, S.98
- Piano Concerto no. 3 in E flat major, S.125a
- Prometheus, S.99
- Rákóczi-Marsch, S.117
- Symphony to Dante's Divina Commedia, S.109, R.426
- Von der Wiege bis zum Grabe, S.107, R.424
- Keyboard
- ● Liebesträume
- ● Mephisto Waltz no. 1, S.514
- 19 Hungarian Rhapsodies, S.244, R.106
- Années de pèlerinage, S.160-163, R.10a-e
- Aprés une lecture du Dante I, fantasia quasi sonata, S.158c
- Piano Sonata in B minor, S.178
- Transcendental Etudes, S.139, R.2b
- 10 Harmonies poétiques et religieuses, S.173, R.14
- 10 Lieder, S.569
- 12 Chorales, Zwölf alte deutsche gestliche, S.50
- 12 Etudes pour le piano-forte, S.136, R.1
- 12 Grandes Etudes, S.137, R.2a
- 12 Lieder von Robert Franz, S.489
- 12 Lieder, S.558, R.243
- 12 Soirées Musicales, S.424, R.236
- 2 Concert Etudes, S.145, R.6
- 2 Czardas, for piano, S225/R45
- 2 Episodes of Lenaus Faust, for piano 4-hands, S.599
- 2 Légendes, S.175, R.17
- 2 Pieces from 'Lohengrin' and 'Tännhauser', S.445
- 2 Polonaises, S.223, R.44
- 2 Romanceros espagnol, S.695c
- 2 Russian Melodies, S.250
- 25 Bunte Reihe, S.484
- 3 Apparitions, S.155
- 3 Concert Etudes, S.144, R.5
- 3 Funeral Odes, S.516
- 3 Lieder aus Julius Wolffs Tannhäuser, S.498
- 3 Morceaux suisses
- 3 Odes funèbres, S.517
- 3 Petrarch Sonnets I, for piano, S.158
- 3 Schubert Marches, for piano, S426/R251
- 3 Songs, S.485, R.150
- 4 Consolations, for organ
- 4 Geistliche Lieder, S.562, R.247
- 4 Valses oubliées, S.215, R.37
- 4 Vier Kleine Klavierstücke, S.192
- 5 Hungarian Folk Songs, S.245, R.108
- 6 Consolations, S.172, R.12
- 6 Melodies of Franz Schubert, S.563
- 6 Müllerlieder, S.565, R.249
- 6 Organ Preludes and Fugues, S.462, R.119
- 6 Polish Songs, S.480, R.145
- 6 Soirées italiennes, S.411
- 7 Songs, S.547, R.217
- 7 Variations brillantes sur un theme de Rossini, S.149, R.148
- 8 Préludes et Harmonies poétiques et religieuses, S.171d
- A magyarok Istene, S 674
- A magyarok Istene, S.543
- Ab irato, S.143, "The Perfect Etude"
- Abschied, S.251
- Adelaïde, S.466
- Adélaide
- Agnus Dei de la Messe de Requiem, S.675c
- Album d'un voyager, S.156
- Album-Leaf: Consolation no. 1, S.171b
- Alleluia et Ave Maria, S.183
- Am Grabe Richard Wagners, S.202
- Am Grabe Richard Wagners, S.267
- Am stillen Herd aus den Meistersingern, S.448, R.281
- Andante finale and March, S.421, R.233
- Andante religioso, S.261a
- Angelus! Prière aux anges gardiens, for harmonium, S.672c
- Aus Lohengrin, S.446
- Ave Maria in D flat major, S.504/2
- Ave Maria von Arcadelt, S.659
- Ave Maria, S.545
- Ave Maria, S.659, R.401
- Ave Maria, S.674b
- Ave Maria: Die Glocken von Rom, S.182
- Ave maris stella, S.506
- Bagatelle without Tonality, S.216a, R.60c
- Ballad from 'The Flying Dutchman', S.441
- Ballade no. 1, S.170, "Le Chant du Croise"
- Ballade no. 2 in B minor, S.171, R.16
- Ballade, for piano no. 2 in B minor, S.170a
- Ballade, for piano no. 2 in B minor, S.171
- Benedictus and Offertorium aus der ungarischen Krönungsmesse, S.501
- Berceuse, S.174
- Buch der Lieder, S.531, R.209
- Carrousel de Mme. Pelet-Narbonne, S.214a, R.60b
- Ce qu'on entend sur la montagne, for 2 pianos, S. 635, "Bergsymphonie"
- Christus ist geboren: Nato e Cristo Redentor, S.502
- Concert Paraphrase of 'Ernani', S.432
- Concert Paraphrase of 'Rigoletto', S.434, R.267
- Consolations Nos. 3-6, S.672d
- Csardas obstine, for piano, S618/R300
- Csárdás macabre, S.224, R.46
- Czardas obstine, S.225
- Dance macabre, S.555, R.240
- Dante Symphony, for 2 pianos S.648
- Dem Andenken Petofis, S.195, R111
- Der Asra, S.554/2, R.239/2
- Der Gondelfahrer, S.559
- Die Forelle, S.564
- Die Ideale, S.646
- Die Lorelei, S. 532
- Die Rose, Romanze aus der Oper Zemir und Azor, S.571, R.259
- Die Rose, S.556, R.241
- Die Trauer-Gondel, S.199a, no. 1
- Don Carlos: Coro di festa e Marcia funebre, S.435
- Einleitung, Fuge and Magnificat aus der Symphonie zu Dante, S.672b
- Elegie no. 1, S.196
- Elegie no. 2, S.197
- Elégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168
- En rêve, S.207, R.87
- Evocation à la Chapelle Sixtine, for organ, harmonium or pedal piano, S.658
- Excelsior! Preludio zu dem Glocken des Strassburger Münsters, for organ, S.666
- Fantasia on Hungarian Folk Themes S.123, R.458, "Hungarian Fantasy"
- Fantasia on themes from 'Der Freischütz, S.451, R.284
- Fantasie sur des motifs favoris de l'opera La sonnambula, for piano, S393/R132
- Fantasie über Motive aus Figaro und Don Juan, S.697
- Fantasie über Motiven aus Beethovens Ruinen von Athen, S.122
- Fantasy and Fugue on the Chorale Ad nos, ad salutarem undam, S.624, R.314
- Fantasy and Fugue on the Theme B-A-C-H, S.529
- Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam', S.259
- Fantasy on motives from the opera 'La sonnambula', S.393, R.192
- Fantasy sur l'opéra hongroise Szép Ilonka, S.417
- Feierlicher Marsch zum heiligen Gral aus Parsifal, S.450
- Festklänge, S.641
- Festklänge, symphonic poem for piano, S.511d
- Festvorspiel
- Feuille d'Album no. 1 in E major, S.164
- Feuilles d'album in A flat major, S.165
- Frühlingsnacht, S.568
- Galop de bal, S.220, R.42
- Galop in A minor, S218/R40
- Grand Paganini Étude, S.141
- Grand Septet, S.465, R.127
- Grand fantasia de bravoure sur 'La clochette', S.420, R.231
- Grand fantasy on motives of 'Soirées Musicales': La serenata e L'orgia, S.422, R.234
- Grand galop chromatique, S.219
- Grande Fantaisie symphonique über Themen aus Berlioz's 'Lélio', S.120
- Grande paraphrase de la marche pour Sa Majesté le sultan Abdul Medjid-Khan, S.403, R.157
- Grande valse di bravura, for piano 4-hands, S.615, "Le bal de Berne"
- Grandes Etudes de Paganini, S141/R3b
- Gretchen: 2.Satz aus der Faust-Symphony, S.513
- Grosses Konzertsolo, S.176, R.18
- Hamlet, S.644
- Harold en Italie, S472/R138
- Hexameron, S.392, R.131
- Historiche ungarische, S.205, R.112
- Hungaria, S.643
- Hungaria, symphonic poem for piano, S.511e
- Hunnenschlacht, S.645
- Hymne à Sainte-Cécile, S.491, R.168
- Héroïde funèbre, S.642
- Illustrations du 'Prophète', S.414, R.222
- Impromptu in F sharp major, S.191
- Impromptu brillant sur des themes de Rossini et Spontini, S.150, R.29
- In Dominum Domini Ibimus, prelude, S.671
- In festo transfigurationis Domini nostri Jesu Christi, S.188
- Introitus, S.268/1
- Isoldens Liebestod: Schlußszene aus Tristan und Isolde, S.447
- Klavierstück in F sharp major, S.193
- L'hymne du pape, S.530
- La Notte, S.602
- La lugubre gondola, S.200
- Les Préludes, S.637
- Les adieux, rêverie, from 'Romeo et Juliette', S.409, R.169
- Les sabéennes, Berceuse from 'The Queen of Sheba', S.408, R.167
- Liebestraum, 3 notturnos, S.541
- Litanei, S.562/1
- Lob der Tränen, S.557
- Marche et Cavatine de Lucia de Lammermoor, S. 398
- Marche funèbre de 'Dom Sebastien', S.402, R.156
- Mazeppa I, S.138
- Mazeppa, S.640
- Mazurka pour piano composee par un amateur de St. Petersbourg, S.384
- Mephisto Polka, S.217, R.39
- Mephisto Waltz no. 2, S.515
- Mephisto Waltz no. 3, S.216, R.38
- Mephisto Waltz no. 4, S.216a, R.60c, "Bagatelle sans tonalité"
- Mephisto Waltz no. 4, S.696
- Miserere du Trovatore, S.433
- Missa pro organo, S.264
- Morceau de salon, étude de perfectionnement, S.142
- Mosonyis Grabgeleit, S.194
- Nuages gris, S.199
- Nun danket alle Gott, S.674c
- O Roma Nobilis, S.456a
- O Roma Nobilis, S.669c
- O du mein holder Abendstern, from 'Tannhäuser', S.444, R.277
- O sacrum convivium, S.674a
- O! Wenn es doch immer so bliebe, S.554, R.239
- Ora pro nobis, litany, S.262
- Orchester-Einleitung aus der Legende von der heiligen Elisabeth, S.663a
- Orpheus, S.638
- Orpheus, symphonic poem, S.511b
- Orpheus, symphonic poem, S.672a
- Overture to 'Der Freischutz', S.575, R.289
- Overture to 'Tannhäuser', S.442, R.275
- Overture to 'William Tell', S.552, R.237
- Paganini Caprices, S.140, R.3a
- Pastorale: Schnitterchor aus den Entfesselten Prometheus, for piano, S.508
- Phantasiestück über Motive aus Rienzi, S.439
- Piano Concerto no. 2 in A major, for 2 pianos, S.651
- Piano Piece in A flat major, S189a/R44a
- Polonaise brillante, op. 72, S.455, R.460
- Polonaise from 'Eugene Onegin', S.429, R.262
- Prelude a la polka de Borodine, S.207a
- Prelude and Fugue on the motive B-A-C-H, S.260i
- Prelude and Fugue on the motive B-A-C-H, S.260ii
- Preludio per Il Cantico del Sol di San Francesco, S.665
- Prometheus, S.639
- R.W. Venezia, S.201
- Recueillement, S.204
- Regina coeli laetare, S.663
- Requiem, S.266
- Resignazione, S.187
- Resignazione, S.263/187a
- Revive Szegedin, S.572, R.260
- Rhapsodie espagnole, S.254, R.90, "Folies d'Espagne et jota aragonesa"
- Romance in E minor, S.169
- Romance oubliée
- Romance oubliée, S.527, R.66b
- Rosario, 3 works, S.670
- Russian Galop, S.478, R.143
- Rákóczi-Marsch, for 2 pianos, S.652a
- Réminiscences de 'Lucrezia Borgia', S.400, R.154
- Réminiscences de 'Lucia di Lammermoor', S.393, R.151
- Réminiscences de 'Lucia di Lammermoor', S.397
- Réminiscences de 'Norma', S.394, R.133
- Réminiscences de 'Simone Boccanegra', S.438, R.271
- Réminiscences des 'Huguenots', Grande Fantaisie dramatique, S.412
- Sacred Dance and Final Duet from 'Aida', S.436
- Salve Maria de Jérusalem, S.431
- Sancta Dorothea, S.187
- Sancta Dorothea, S.187, R.73
- Sarabande and Chaconne from 'Almira', S.181, R.25
- Scherzo in G minor, S.153
- Scherzo and March, S.177
- Scherzo und Marsch, S177/R20
- Schlaflos, Frage und Antwort, nocturne, S.203
- Schwanengesang, S.560, R.245
- Second fantasy on motives of 'Soirees musicales': La pastorella dell'Alpi e Li marinari, S.423, R.235
- Slavimo, slavni, Slaveni!, S.668
- Soirées de Vienna, 9 Valses caprices d’après Schubert, S.427
- Spinnerlied aus Der Fliegenden Holländer, S.440
- Spirto gentil, from 'La favorite', S.400a
- Sposalizio I, S.157a
- Stabat Mater, S.579/3
- Symphonie fantastique, S.470
- Symphony no. 1 in C, S.464/1
- Symphony no. 2 in D, S.464/2
- Symphony no. 3 in E flat major, S.464/3
- Symphony no. 4 in B flat major, S.464/4
- Symphony no. 5 in C minor, S.464/5
- Symphony no. 6 in F, S.464/6
- Symphony no. 7 in A major, S.464
- Symphony no. 7 in A, S.464/7
- Symphony no. 8 in F, S.464/8
- Symphony no. 9 in D minor, S.464/9
- Szózat and Hungarian Hymn, S.486, R.158
- Tannhauser: Pilgrim's Chorus, S.443
- Tarantelle, S.482
- Tarentelle di bravura d'après la tarantella de 'La muette de Portici', S.386, R.117
- Tarentelle, S.483, R148
- Tasso: Lamento e Trionfo, S.636
- Toccata, S.197a, R.60
- Totentanz
- Totentanz, S.525
- Trauerode, oration, S.268/2
- Trauervorspiel und Trauermarsch, S.206
- Tscherkessenmarsch aus Russlan Ludmilla, for piano 4-hands, S.629
- Tu es Petrus aus dem Orartorio Christus, S.664/1
- Two Lieder, S.494-495
- Unstern! Sinistre, disastro, S.208
- Urbi et Orbi, bénédiction papale, S.184
- Valhalla from 'Der Ring des Nibelungen', S.449, R.282
- Valse d'Adele, S.456
- Valse impromptu, S.213, R.36
- Valse à capriccio, sur deux motifs de 'Lucia et Parisina', S.401, R.155
- Variation on a Waltz by Diabelli, S.147, R.26
- Variationen über das Motiv von Bach: Weinen, Klagen, S.673
- Variations on Bach's Weinen, Klagen, Sorgen, Zagen and Crucifixus from Mass in B minor, S.673, R.382
- Variations on a Bach motive: Weinen, Klagen, S.180
- Venezia e Napoli, S159/R10d
- Venezia, S.201, R.82
- Vexilla regis prodeunt, for piano, S185/R70
- Waltz from 'Faust', S.407, R.166
- Wanderer Fantasy, S.366
- Wedding March and Dance of the Fairies, S.410, R.219
- Weihnachtsbaum, 4 hands, S.613
- Weihnachtsbaum, S.186
- Weimar Volkslied, S.672
- Widmung, S.566
- Widmung, S.566, R.249
- Wiegenlied, S.198
- Winterreise, S.561, R.246
- Zum Haus des Herrn ziehen wir, S.505
- Zwei Kirchenhymnen, S.669
- Chamber
- 2 Waltzes, S.208a, for violin and piano
- Am Grabe Richard Wagners, for string quartet, S.135, R.474
- Angelus! Priere aux anges gardiens, for string quartet, S.378, R.473
- Benedictus and Offertorium, for violin and piano, S.381, R.465
- Die drei Zigeuner, for violin and piano, S.383
- Duo Sonata, for violin and piano, S.127
- Elegie no. 1, for cello and piano, S.196, "Schlummerlied im Grabe"
- Elegie no. 1, for violin, piano and harmonium, S.130ter
- Elegie no. 2, for violin and piano, S.131
- Elegie: Die Zelle in Nonnenwerth and piano, S.382
- Epithalam zu Eduard Reményis Vermählungsfeier, for violin and piano, S.129
- Grand Duo concertant sur la Romance de 'Le Marin', for violin and piano, S.128 and S.700h
- Hosanna, for trombone and organ, S.677, R.409
- La Lugubre gondola, for violin and piano, S.134bis
- La notte, for violin and piano, S.377a
- Le carnaval de Pesth, S.379, R.470
- Romance oubliée, for viola and piano, S.132
- Tristia, from Vallée d'Obermann, for violin, cello and piano, S.378c
- Vocal
- 3 Sonetti di Petrarca, S.270
- 3 Songs from William Tell, S.292
- A magyarok Istene, for chorus, S339/R635
- An die Kunstler, for chorus, S70/R540
- Anfangs wollt' ich fast verzagen, S.311
- Angiolin del biondo crin, S.269
- Ave Maria in G major, for voice and piano in G major, S.341
- Ave Maria, for chorus and organ ad lib, S.20/1, R.496a
- Ave Maria, for chorus and organ, S.20/2
- Ave Maria, for soloist and organ, S.681
- Ave Maris Stella in D major, for voice and piano, S.680
- Ave maris stella I in G major, for chorus and organ, S.34/1, R.499a
- Ave verum corpus, for chorus and organ ad lib, S.44
- Bist du
- Blume und Duft, S.324
- Cantico del Sol di San Francesco, cantata for soloist, male chorus, orchestra, and organ, S.4/2
- Chor der Engel aus Goethe's Faust II, for chorus, harp, piano and harmonium, S. 85/2
- Chore zu Herders entfesseltem Prometheus, for chorus, S69/R539
- Christus for soloists, chorus, orchestra and organ, S.3, R.478 — Oratorio
- Christus ist geboren, for chorus and organ
- Comment, Disaient-ils, S.276
- Der Herr bewährt die Seelen seiner Heiligen
- Der König von Thule, S.278
- Der du Von dem Himmel Bist, S.279
- Des Tages laute Stimmen schweigen, S.337
- Die Fischertochter, S.325
- Die Legende von der heilgen Elisabeth for soloists, chorus and orchestra, S.2 — Oratorio
- Die Lorelei, S.273
- Die Seligkeiten
- Die Vätergruft, S.281
- Die Zelle in Nonnenwerth, S.274
- Die drei Zigeuner, S.320
- Die stille Wasserrose, S.321
- Die tote Nachtigall, S.291
- Domine salvum fac regem, for chorus, S23/R504
- Du Bist wie Eine Blume, S.287
- Einst
- Einst, S.332
- Enfant, si J'étais Roi, S.283
- Es muss ein Wunderbares sein, S.314
- Es rauschen die Winde, S.294
- Es war einmal ein König, for soloist, male chorus and piano, S.73
- Freudvoll und Leidvoll, S.280
- Gastibelza S.286
- Gebet, S.331
- Gestorben war ich S.308
- Go not, happy day, S.335
- Gottes ist der Orient II, for male chorus, S.90/12
- Hohe Liebe
- Hungarian Coronation Mass, S.11
- Ich liebe dich, S.315
- Ich scheide, S.319
- Ihr Auge
- Ihr glocken von Marling, S.328
- Il m'aimait tant, S.271
- Im Rhein, im schönen Strome, S.272
- In Liebeslust S.318
- Isten veled!, S.299
- J'ai perdu ma force et ma vie, S.327, "Tristesse"
- Jeanne d'Arc au Bûcher, S.293
- Jugendglück, S.323
- Kling leise, mein Lied, S.301
- La perla, S.326
- La tombe et la rose, S.285
- Lasst mich ruhen, S.317
- Le Vieux Vagabond S.304
- Le juif errant, S.300
- Licht, mehr Licht, for chorus, S84/R554
- Magyar kiraly-dal, for chorus, S93/R563
- Mariengarten, for chorus, S62/R512
- Mignons Lied, S.275, "Kennst du das Land"
- Missa choralis quatour vocum concinente organo, for chorus and organ, S.10
- Missa solemnis zur Einweihung der Basilika in Gran, S.9
- Morgens steh' ich auf und frage, S.290
- Muttergottes-Sträusslein, S.316 — Song cycle
- Nimm einen Strahl der Sonne, S.310, "Ihr Auge"
- Nun danket alle Gott, for chorus, brass, percussion and organ ad lib, S.61
- O Roma Nobilis, for chorus and keyboard, S.54
- O salutaris hostia II, for chorus, S.43
- Oh! pourquoi donc, S.301a
- Pater Noster I in A flat major, for chorus and organ, S.29
- Pater Noster III in F S. 41/1
- Pro papa
- Psalm 129, De profundis
- Psalm 129, De profundis, S.16i
- Psalm 13: Herr, wie lange, for tenor, chorus and orchestra, S.13b
- Psalm 18, Coeli enarrant gloriam Dei
- Psalm 23, Mein Gott, der ist mein Hirt for soloists, chorus and keyboard
- Qui seminant in lacrimis, for chorus and organ, S.63
- Repsonsorien und Antiphonen, for male chorus and organ ad lib, S.30
- Requiem
- Rosario, for soloist, chorus and organ
- S'il est un charmant gazon, S.284
- Salve Regina, for chorus, S.66
- Septem Sacramenta, S.52
- Und wir dachten der Toten
- Verlassen, S.336
- Via Crucis: Les 14 stations de la croix, for soloists, chorus, and organ, S.53, R.534
- Wartburg Lieder, S.345
- Was Liebe sei?, S.288
- Wer nie sein Brot mit Tranen ass, S.297
- Wie singt die Lerche schön, S.312
- Wieder möcht ich dir begegnen, S.322
- Wo weilt er?, S.295
- Über allen gipfeln ist Ruh', S.306
- Stage
- Der traurige Mönch, for narrator and piano, S.348 — Melodrama
- Don Sanche, opera, S476/R13
- Lenore, for narrator and piano, S.346 — Melodrama