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Schütz

Heinrich Schütz
Dates
1585–1672
Era
Baroque (1600–1750)
Recognition
essential
Wikipedia

Where to start with Schütz

Essential works to know this composer by — spread across their styles
  1. Vocal
    Musikalische Exequien, for double chorus and continuo, SWV 279-281
  2. Vocal
    St. Matthew Passion for 2 sopranos, alto, 3 tenors, 2 basses and chorus, SWV 479
  3. Vocal
    12 Geistliche Gesange, SWV 420-431, op. 13
  4. Vocal
    Also hat Gott die Welt geliebt, SWV 380
  5. Vocal
    Anderer Theil kleiner geistlichen Concerten, SWV 306-340, op. 9
  6. Vocal
    Bringt her dem Herrn, for mezzo and continuo, SWV 283
  7. Vocal
    Cantate Domino, for double choir, SWV 463
  8. Vocal
    Cantiones Sacrae, 41 motets for 2 sopranos, alto, bass and continuo, SWV 53-93, op. 4
  9. Vocal
    Das Wort ward Fleisch, for chorus, SWV 385
  10. Vocal
    Das ist je gewißlich wahr, for 2 sopranos, alto, 2 tenors, bass and continuo, SWV 277
  11. Vocal
    Das ist mir lieb for 2 sopranos, alto, tenor and bass, SWV 51
  12. Vocal
    Der Schwanengesang, for double chorus and continuo, SWV482-494
  13. Vocal
    Die Geburt unsers Herren Jesu Christi, for chorus, soloists, and orchestra, SWV435
  14. Vocal
    Die Himmel erzählen, for 2 sopranos, alto, 2 tenors, bass and continuo, SWV 386
  15. Vocal
    Die mit Tränen säen, for 2 sopranos, alto, tenor, bass and continuo, SWV 378

Listening guide

Hand-curated paths into Schütz's catalogue
  1. Historia der Auferstehung (Easter Oratorio)
  2. Saul, was verfolgst du mich?
  3. O lieber Herre Gott
  4. Historia der Geburt Jesu Christi
  5. Die sieben Worte Jesu Christi

Most Acclaimed

  1. Symphoniae Sacrae (3 volumes)
  2. Musikalische Exequien
  3. Matthäus-Passion
  4. Psalmen Davids
  5. Kleine geistliche Konzerte

Most Weird

  1. Saul, was verfolgst du mich?
    6 voices + 2 violins — the echo effects and antiphonal writing for Saul’s blinding conversion are unprecedented in German music
  2. Symphoniae Sacrae III (1650)
    massive spatial pieces — Venetian polychoral technique adapted for Lutheran Germany; requires multiple choirs placed apart
  3. Musikalische Exequien
    funeral motet in three parts — each for a different stage of a funeral: the casket procession, the funeral sermon, the final prayer
  4. Fili mi, Absalom
    from Symphoniae Sacrae I — bass voice with 4 trombones; the color is extraordinary
  5. Historia der Geburt Jesu Christi
    Christmas story — the Evangelist’s recitative is accompanied by different instruments for each character’s appearance

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 60