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Villa-Lobos

Heitor Villa-Lobos
Dates
1887–1959
Era
20th Century (1900–1945)
Recognition
essential
Wikipedia

Where to start with Villa-Lobos

Essential works to know this composer by — spread across their styles
  1. Chamber
    5 Prelúdios, A.419
  2. Orchestral
    Bachianas Brasileiras no. 2, A.247
  3. Vocal
    Bachianas Brasileiras no. 5, for voice and 8 cellos, A.389
  4. Keyboard
    Chôros no. 5, A.207, "Alma brasiliera"
  5. Chamber
    Bachianas Brasileiras no. 1, for 8 cellos, A.246
  6. Vocal
    Chôros no. 10, A.209, "Rasga o Coraçao"
  7. Keyboard
    Rudepoêma, A.184
  8. Orchestral
    Bachianas Brasileiras no. 4, for piano and orchestra, A.424
  9. Orchestral
    Bachianas Brasileiras no. 7, A.432
  10. Orchestral
    Chôros no. 11, for piano and orchestra, A.228
  11. Orchestral
    Chôros no. 6, A.219
  12. Chamber
    Chôros no. 7, for flute, oboe, clarinet, saxophone, bassoon, violin, cello, and off-stage gong, A.199, "Setemino"
  13. Orchestral
    Fantasia, for saxophone, 2 horns, and strings, A.490
  14. Orchestral
    Guitar Concerto, A.502
  15. Orchestral
    Momoprecoce, fantasy for piano and orchestra, A.240

Listening guide

Hand-curated paths into Villa-Lobos's catalogue
  1. Bachianas Brasileiras No. 5 (soprano + 8 cellos)
  2. Guitar Preludes (5)
  3. Chôros No. 10
  4. Bachianas Brasileiras No. 2 (The Little Train)
  5. Guitar Étude No. 1

Most Acclaimed

  1. Bachianas Brasileiras Nos. 1-9 (complete)
  2. Rudepoema (piano)
    portrait of Arthur Rubinstein — 30 demanding minutes
  3. String Quartet No. 6
  4. Chôros No. 11
  5. Piano Concerto No. 1

Most Weird

  1. Chôros No. 10
    orchestra + chorus — incorporates indigenous Brazilian folk material; the chorus howls, clicks, whispers
  2. Rudepoema
    piano — a 30-minute portrait of Rubinstein’s personality; one of the most technically demanding piano works of the 20th century
  3. Bachianas Brasileiras No. 5
    the humming prelude is one of the most hypnotic openings in all music — soprano over 8 cellos
  4. The New York Skyline Melody (piano)
    the Manhattan skyline photographed and traced onto graph paper; each building’s height = a pitch; he actually meant this
  5. Chôros No. 11 (piano + orchestra)
    1 hour and 15 minutes — his longest single work; never performed in his lifetime

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 196