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Bruch

Max Bruch
Dates
1838–1920
Era
Romantic (1860–1900)
Recognition
essential
Wikipedia

Where to start with Bruch

Essential works to know this composer by — spread across their styles
  1. Orchestral
    Scottish Fantasy, for violin and orchestra, op. 46
  2. Vocal
    12 Scottish Folksongs, for voice and piano
  3. Chamber
    4 Pieces for Cello and Piano, op. 70
  4. Stage
    Hermione,, op. 40 — Opera
  5. Orchestral
    Violin Concerto no. 1 in G minor, op. 26
  6. Orchestral
    Kol Nidrei: Adagio on Hebrew Melodies, for cello and orchestra, op. 47
  7. Vocal
    6 Songs, for chorus, orchestra and organ, op. 86
  8. Chamber
    8 Pieces for Clarinet, Viola, and Piano, op. 83
  9. Vocal
    9 Songs for Chorus, op. 60
  10. Orchestral
    Adagio appassionato, for violin and orchestra in C sharp minor, op. 57
  11. Orchestral
    Adagio on Celtic Themes, for cello and orchestra, op. 56
  12. Vocal
    Arminius, oratorio for soloists, chorus and orchestra, op. 43
  13. Orchestral
    Ave Maria, for cello and orchestra, op. 61
  14. Orchestral
    Canzone, for cello and orchestra in B major, op. 55
  15. Vocal
    Christkindlieder, 6 pieces for soprano, alto, female chorus and piano, op. 92

Listening guide

Hand-curated paths into Bruch's catalogue
  1. Violin Concerto No. 1 in G minor
  2. Scottish Fantasy
  3. Kol Nidrei for cello and orchestra
  4. Violin Concerto No. 2 in D minor
  5. Serenade for Violin and Orchestra Op. 75

Most Acclaimed

  1. Violin Concerto No. 1
  2. String Octet in B-flat major
  3. Violin Concerto No. 2
  4. Piano Trio in C minor
  5. String Quintet in A minor

Most Weird

  1. Concerto for Clarinet and Viola Op. 88
    unusual double concerto — both soloists share the same register, constantly interweaving
  2. Symphony No. 2 in F minor
    dark and rarely played
  3. Swedish Dances Op. 63
    based on Swedish folk tunes — surprising late-career nationalistic turn
  4. Moses (oratorio)
    ambitious late oratorio rarely heard
  5. Double Piano Concerto in A-flat minor Op. 88a

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 44