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Vaughan Williams

Ralph Vaughan Williams
Dates
1872–1958
Era
20th Century (1900–1945)
Recognition
essential
Wikipedia

Where to start with Vaughan Williams

Essential works to know this composer by — spread across their styles
  1. Orchestral
    Fantasia on a Theme by Thomas Tallis, for 2 string orchestras
  2. Vocal
    Serenade to Music — For 16 soloists and orchestra<
  3. Chamber
    2 Pieces for Violin and Piano
  4. Keyboard
    6 Short Pieces, for piano
  5. Orchestral
    The Lark Ascending: Romance for Violin and Orchestra
  6. Orchestral
    Fantasia on Greensleeves, for harp, flute and strings
  7. Orchestral
    Oboe Concerto in A minor
  8. Orchestral
    Piano Concerto in C
  9. Orchestral
    Symphony no. 1, for soprano, baritone, chorus and orchestra, "A Sea Symphony"
  10. Orchestral
    Symphony no. 3, for soprano or tenor and orchestra, "Pastoral"
  11. Orchestral
    Symphony no. 5 in D
  12. Orchestral
    Symphony no. 6 in E minor
  13. Vocal
    'Tis Winter Now, the Fallen Snow, "Danby"
  14. Vocal
    10 Blake Songs, for voice and oboe
  15. Vocal
    2 English Folksongs, for voice and violin

Listening guide

Hand-curated paths into Vaughan Williams's catalogue
  1. The Lark Ascending
  2. Fantasia on a Theme of Thomas Tallis
  3. Symphony No. 2 ”A London Symphony”
  4. Greensleeves Fantasia
  5. Five Variants of Dives and Lazarus

Most Acclaimed

  1. Symphony No. 4 in F minor
    shocking violence from this gentle composer
  2. Symphony No. 6 in E minor
  3. A Sea Symphony
  4. Job (masque for dancing)
  5. The Pilgrim\’s Progress (opera)

Most Weird

  1. Symphony No. 6 in E minor
    the finale is 12 minutes of barely audible pianissimo — like the world after nuclear war; he denied it was about the bomb but wrote it in 1948
  2. Symphony No. 7 ”Sinfonia Antartica”
    uses a wordless soprano, women’s chorus, and a wind machine; each movement has an epigraph from Shelley, Coleridge, and Scott’s final diary
  3. Flos Campi
    viola + wordless chorus + small orchestra — text from the Song of Songs never sung, only printed in the score
  4. Symphony No. 4
    when they asked him what it meant, he said ”I don’t know, but I don’t think I like it much”
  5. Riders to the Sea
    opera — the entire Synge play set to music; 40 minutes; a Galway woman loses all her sons to the sea

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 161