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Byrd

William Byrd
Dates
1540–1623
Era
Renaissance (1400–1600)
Recognition
essential
Wikipedia

Where to start with Byrd

Essential works to know this composer by — spread across their styles
  1. Chamber
    3 French Corantos, for keyboard, MB21
  2. Vocal
    Ad Dominum cum tribularer
  3. Chamber
    5th Galliard
  4. Chamber
    5th Pavan
  5. Chamber
    A Voluntarie
  6. Vocal
    Ah silly soul
  7. Vocal
    Alack, when I look back
  8. Chamber
    All in a garden green, MB56
  9. Vocal
    Alleluia, Ave Maria
  10. Chamber
    Alman
  11. Vocal
    An aged dame
  12. Vocal
    Arise O Lord, why sleepest thou
  13. Vocal
    Aspice Domine de sede
  14. Vocal
    Aspice, Domine, quia facta est desolata civitas
  15. Vocal
    Attollite portas

Listening guide

Hand-curated paths into Byrd's catalogue
  1. Mass for Five Voices
  2. My Lady Nevell\’s Book (keyboard collection)
  3. Pavane and Galliard in D minor (Fitzwilliam Book)
  4. Ye Sacred Muses (elegy for Tallis)
  5. Sing Joyfully

Most Acclaimed

  1. Mass for Three Voices
  2. Mass for Four Voices
  3. Pavans and Galliards (Fitzwilliam Book — complete)
  4. Gradualia (complete two volumes)
  5. Fantasia in G minor (keyboard)

Most Weird

  1. The Bells (keyboard)
    imitates bell overtones — the only 16th-century piece that sounds electronic
  2. Fantasia in G minor
    free-form keyboard — the most harmonically adventurous thing he wrote
  3. Ut, re, mi, fa, sol, la (keyboard)
    systematic hexachord exploration — structural experiment
  4. Browning a 5
    fantasy on a folk tune for five viols — 20 variations on one short melody
  5. Passamezzo Pavana (Fitzwilliam Book)
    massive keyboard variations — technically astonishing for the period

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 290