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Dowland

John Dowland
Dates
1563–1626
Era
Renaissance (1400–1600)
Recognition
essential
Wikipedia

Where to start with Dowland

Essential works to know this composer by — spread across their styles
  1. Chamber
    Lachrimae, for lute, P.15
  2. Vocal
    1.Disdain me still
  3. Vocal
    1.Farewell, too fair
  4. Vocal
    1.I saw my Lady weep
  5. Chamber
    1.Lachrimae antiquae
  6. Vocal
    1.Unquiet thoughts
  7. Vocal
    10.From silent night
  8. Vocal
    10.Love stood amazed
  9. Chamber
    10.Mr John Langtons Pavan
  10. Vocal
    10.O sweet woods
  11. Vocal
    10.Think'st thou then by thy feigning
  12. Vocal
    11.Come away, come sweet love
  13. Vocal
    11.If floods of tears
  14. Vocal
    11.Lasso vita mia
  15. Vocal
    11.Lend your ears to my sorrow

Listening guide

Hand-curated paths into Dowland's catalogue
  1. Flow My Tears (Lachrymae)
  2. Come Again, Sweet Love
  3. Can She Excuse My Wrongs
  4. Now O Now I Needs Must Part
  5. Fine Knacks for Ladies

Most Acclaimed

  1. Lachrimae, or Seven Tears
    7 fantasias for 5 viols + lute on the Lachrymae theme
  2. In Darkness Let Me Dwell
  3. Come, Heavy Sleep
  4. A Fancy for Lute (P 5)
  5. Forlorn Hope Fancy

Most Weird

  1. In Darkness Let Me Dwell
    the most chromatic, harmonically disturbing piece of the early 17th century — it sounds like late Schubert
  2. Semper Dowland semper dolens
    Always Dowland, always grieving — he turned his own depression into a brand
  3. Farewell Fancy (Mistress Nichols\’ Almand)
  4. Sir Henry Unton\’s Funeral
    named for an actual diplomat\’s death — programmatic
  5. Lachrimae Antiquae Novae
    from Lachrimae — the theme inverted and transformed

Similar composers

Same era, overlapping styles — by genre & period affinity

Works 239